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Thatching

A short history of thatching

The art of thatching with natural plant materials has been known in this country since time immemorial. The use of thatch for roofing emerged from the Bronze Age with thatched cottages and farm buildings becoming the norm in rural Britain for over a millennium. It was common practice in those days for buildings to use lightweight, irregular materials, such as wattle and daub walls, and cruck beams. These structures could not take the weight of any heavier roofing material other than thatch. People would only be able to use what they could source locally: this meant materials as varied as broom, sedge, flax, grass, and straw were commonly used.  

Every period since the Romans has constructed buildings with thatched roofs, and examples still exist with at least part of the base thatch dating from medieval times, when many of the thatching techniques still in use today were already standard practice. They are one of the most characteristic sights in our countryside, but they are practical too – they are warm in Winter and cool in Summer, but in addition, a thatched roof offers superior sound insulation properties, which is a real benefit in Diseworth !  

It is estimated that the number of thatched buildings in England decreased from one million in 1800 to about 35,000 by 1960, due mainly to lower transport costs and new techniques enabling other materials (such as cheap slate from Wales, or mass produced clay tiles) to be used, with less skilled labour. The onslaught of combine harvesters had much to answer for too. With a far shorter cut, the wheat straw became unusable for anything other than grain production. Today, there are around 24,000 listed thatched buildings in the UK, and about 1500 individuals engaged in thatching.  Thatch is also being used on some new builds, so there is something of a revival in progress.  

How does thatch work ?

In thatch, there is no impermeable moisture barrier, so how does it keep the house dry ? The answer is in the roof pitch. Given a great enough angle water droplets will run down reed or straw rather than transfer from one to another. The pitch of the roof, which ideally should be between 45 and 55 degrees (although shallower pitches are used over windows and in valleys), forces droplets to run down the stems of thatch material and run off at the eaves. Below the top inch or so, a properly constructed and maintained thatched roof should remain bone dry. This angle is obviously steeper than roofs with tiles, and this can be a clue to spotting a house that was formally thatched, but has later been tiled.  Examples can be seen in this detail from a painting of two houses in Hall Gate, both of which had thatch early in the 20th century, but alas no more:    

Thtached cottages in Hall Gate

Detail for A W Redgate oil painting of Hall Gate, c. 1900

Incidentally, since thatched houses do not have gutters and drainpipes to lead away the water,  this leads to “eaves-dropping” of the rain, and hence the art of loitering under the eaves to shelter from the water falling, and maybe hearing some juicy gossip through an open window !  

Thatching materials and techniques

Thatched roofs in England are usually constructed from water reed, wheat reed or long straw. Water reed is the most durable of all the materials, and is commonly sourced from East European countries. Base thatches, sometimes called layers or coats, usually remain untouched during re-thatching, unless the roof is in really poor condition. Some of this surviving material dates back to medieval times.

Thatch has traditionally been fixed down by being tied to roof members with hand-made rope, by twisted straw sways, spars made from sharpened hazel known as liggers or even by metal crooks or spikes, traditionally made by the local blacksmith.  

Water reed thatching is built up like most waterproofing of roofs, starting at the eaves of the roof and the fixing each course overlapping until the apex is reached. The reed face is dress back into position by using a tool called a “leggett”, which is a metal paddle with indentations on its surface.    

A leggett

After the apex is reached the roof must be ridged, because water reed is not flexible enough to bend, and straw is usually used to construct the ridge.  

Regional variations

The appearance of a roof is affected not only by the choice of material, but also in the detailing of eaves, dormers, ridges and surface decoration. Distinct regional styles of thatching are apparent, and variations may occur from one village to another, particularly where one style has been adopted by local thatchers and handed down from one generation to the next.  

How long does thatch last ? 

This depend on several factors: climate, material used and the skill of the thatcher, in creating a well-compacted and watertight roof. Water reed should last about 50 to 60 years, wheat reed about 30 to 40 years, and long straw about 20 to 30 years. Ridges may need to be replaced every 10 to 15 years, and the body of thatch should also be maintained and patched if needed.    


Replacing the ridge thatch at Primrose Cottage in Hall Gate  

At the end of 2008, the ridge thatch at Primrose Cottage was replaced, having reached the end of its useful life.  The old ridge thatch and its netting cover was stripped off, then water reed rollers were placed along the top of the main thatch. These were secured with metal wire ties. This forms a sold core for the ridge.      

Rolls of reed on a thatched ridge

Bundles of wheat straw were then fixed onto the main roof, to create the sloping part of the ridge.      

Straw being added to a ridge


More bundles of wheat straw were then shaped over the rollers to form the top part of the ridge that you see, which were fixed in place using hazel spars.      

The ridge takes shape

A block pattern is then cut into the edge of the wheat straw – in this case, it is the personal pattern used by the thatcher.        

The pattern being cut


This can be done with a knife or a pair of shears, and the position and shape is mostly judged by eye, especially on a complex ridge such as at Primrose Cottage, with several roof levels.      

The finished pattern on the ridge


The main part of the thatch was also scraped off to remove accumulated moss and debris, and re-dressed with a leggett to form neat edges.  

Finally the ridge was covered in galvanised wire netting, to improve durability (the wind howls across Hall Field), and to prevent birds from removing all the new straw for nest material !        

The finished ridge with fox

 
Thatch Ornaments  

Many theories exist as to why thatch ornaments were placed on the roof in the past, including to "ward of evil spirits" and also to "let other tradesman know that the thatcher had a particular problem getting the money from the owners of the thatched house". There is no hard evidence to back up these stories!  In previous centuries, hayricks and straw stacks were thatched, and decorated with rick ornaments which took various forms  - a cockerel or a bird, a cross or a crown. Possible reasons for their use include to show who the stack belonged to, or to show who had thatched it. 

Straw ornaments on the thatch of houses have been recorded as far back as 1689, but the skill of the thatcher has moved with the times, and hens, pigs, dragons and many others can now be seen, although the traditional pheasants and foxes still remain firm favourites.  In the case of the Primrose Cottage fox, the straw is wired onto an armature and then surrounded by a wire mesh, to preserve the shape and extend its life.    

Installing the fox

Metal spikes then fix the ornament to the ridge, to stop it wandering away in the wind.  

So next time you walk down Hall Gate, peer up at the roof, think of the skilled craftsmen that still carry on this fine tradition in all weathers, and say good morning to our fox !  

Acknowledgements

My grateful thanks go to Gillian Nott of the Guild of Straw Craftsmen, for information on thatch ornaments.  You can read more about the Guild here

The thatching at Primrose Cottage was carried out by SM Master Thatchers of Melbourne, and further examples of their work can be seen here

 
Paul Taylor, Primrose Cottage, Diseworth.  January 2009.